These glitch images are a reaction to what is both omnipresent and immediate. The iPhone, and its camera roll contain perhaps the most genuine documentation of one’s personal history, an honest and vulnerable record of events. The images exploit the native touch technology of the iPhone in combination with the content of imagery that has been generated by me over the last six months of owning this particular phone. The images reveal personal narratives, other works that haven’t materialized and ultimately a glimpse into privacy.
Installation views at Stern Studio in Vienna, Austria from the exhibition Close History, with Thomas Lang.